Joker was a fascinating outlier in modern cinema. The violent, Scorsese-inspired psychodrama was a huge risk, whisking the Clown Prince of Crime away from the world of comic books and placing him in a grimy 1980s Gotham City that resembled nothing more than Martin Scorsese’s Taxi Driver. The gamble paid off, with an Oscar for [...]
Full ArticleJoker: Folie à Deux review – a strange, dark musical
City A.M.
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