Production designer Adam Stockhausen shows us how he brings sets to life for Wes Anderson's iconic films like 'The Budapest Hotel,' 'The French Dispatch' and 'Asteroid City.'
How do you get the retro look and feel of the Luncheonette scene?
How do you portray depth and richness in each shot?
How can you make sets "float" for the insides to be seen and be as light as possible?
From ample research to gather all the intricate details to physically bringing the sets to life, Adam takes us through his genius process of production design.
Asteroid City premieres June 16thDirector: Adam Lance GarciaDirector of Photography: Zach EisenEditor: Michael SuyedaGuest: Adam StockhausenProducer: Frank CosgriffLine Producer: Romeeka PowellAssociate Producer: Rafael VasquezProduction Manager: Natasha Soto-AlborsProduction Coordinator: Jamal ColvinTalent Booker: Meredith JudkinsCamera Operator: Brad WickhamGaffer: Niklas MollerAudio Engineer: Sean PaulsenProduction Assistant: Amanda BrollArt Department: Jeremy D.
MylesPost Production Supervisor: Edward TaylorPost Production Coordinator: Jovan JamesSupervising Editor: Kameron KeyAssistant Editor: Courtney Karwal